Modos da Ficção: Ficção e TecnologiaBibliografia mínima 2009-2010
Aldiss, Brian e Wingrove, David, Trillion Year Spree: The History of Science Fiction, Thirsk, House of Stratus, 2001 (orig. 1986). Alkon, Paul K., Science Fiction before 1900: Imagination Discovers Technology, Nova Iorque e Londres, Routledge, 2002 (orig. 1994). Amis, Kingsley, New Maps of Hell, Londres, Victor Gollancz/The Science Fiction Book Club, 1962 (orig. 1960). Aldiss, Brian e Wingrove, David, Trillion Year Spree: The History of Science Fiction, Thirsk, House of Stratus, 2001 (orig. 1986). Aristóteles, Poética, Lisboa, INCM, 1992. Bainbridge, William Sims e Dalziel, Murray, «The Shape of Science Fiction as Perceived by the Fans», Science-Fiction Studies, n.º 15 (vol. 5, pt. 2), Terre Haute (IN), Indiana State University, Julho de 1978, pp. 165-171. Benford, Gregory, «Real Science, Imaginary Worlds», in Hartwell, David G. e Cramer, Kathryn (orgs.), The Ascent of Wonder: The Evolution of Hard SF, Nova Iorque, Orb, 1997, pp. 15-23 (orig. 1994). Benjamin, Walter, Sobre Arte, Técnica, Linguagem e Política, Lisboa, Relógio d’Água, 1992. Booker, M. Keith, The Dystopian Impulse in Modern Literature: Fiction as Social Criticism, Westport (CT) e Londres, Greenwood Press, 1994. Canary, Robert E., «Science Fiction as Fictive History», in Clareson, Thomas D. (org.), Many Futures, Many Worlds: Theme and Form in Science Fiction, Kent (OH), The Kent State University Press, 1977, pp. 164-181. Clareson, Thomas D. (org.), SF: The Other Side of Realism. Essays on Modern Fantasy and Science Fiction, Bowling Green (OH), Bowling Green University Popular Press, 1971. Clareson, Thomas D. (org.), Many Futures, Many Worlds: Theme and Form in Science Fiction, Kent (OH), The Kent State University Press, 1977. Clute, John e Nicholls, Peter (orgs.), The Encyclopedia of Science Fiction (2.ª ed.), Londres, Orbit, 1999 (orig. 1993). Delany, Samuel R., «About Five Thousand One Hundred and Seventy Five Words», in Clareson, Thomas D. (org.), SF: The Other Side of Realism. Essays on Modern Fantasy and Science Fiction, Bowling Green (OH), Bowling Green University Popular Press, 1971, pp. 130-145 Deleuze, Gilles, Pourparlers, Paris, Minuit, 1990 Fell, John L., Film and the Narrative Tradition, Berkeley (CA), University of California Press, 1974. Frye, Northrop, Anatomia da Crítica, São Paulo, Cultrix, 1973 (orig. Anatomy of Criticism, Princeton, Princeton University Press, 1957) Genette, Gérard, Fiction et diction, Paris, Seuil, 1991. Genette, Gérard e Todorov, Tzvetan (orgs.), Théorie des genres, Paris, Seuil, 1986. Gunn, James e Candelaria, Matthew (orgs.), Speculations on Speculation: Theories of Science Fiction, Lanham (MD), The Scarecrow Press, 2005. Hamburger, Kate, A Lógica da Criação Literária, São Paulo, Perspectiva, 1986. Helbo, André, L’adaptation: du théâtre au cinéma, Paris, Armand Colin, 1997. James, Edward e Mendlesohn, Farah (orgs.), The Cambridge Companion to Science Fiction, Cambridge e Nova Iorque, Cambridge University Press, 2003. Jameson, Fredric, Discurso de aceitação do Pilgrim Award 2006, SFRA Review, n.º 276, Abril-Junho de 2006, p. 15. Kincaid, Paul, «On the Origins of Genre», Extrapolation, vol. 44, n.º 4, Inverno de 2003, republ. in Gunn, James e Candelaria, Matthew (orgs.), Speculations on Speculation: Theories of Science Fiction, Lanham (MD), The Scarecrow Press, 2005, pp. 41-53. Landon, Brooks, Science Fiction after 1900: From the Steam Man to the Stars, Nova Iorque e Londres, Routledge, 2002 (orig. 1995). McFarlane, Brian, Novel to Film: An Introduction to the Theory of Adaptation, Oxford, Clarendon Press, 1996. Monteiro, Paulo Filipe, Os Outros da Arte, Oeiras, Celta, 1996. Parrinder, Patrick (org.), Science Fiction: A Critical Guide, Nova Iorque, Longman, 1979. Pavel, Thomas, Univers de la fiction, Paris, Seuil, 1988 (orig. 1986). Rabkin, Eric S., Greenberg, Martin H. e Olander, Joseph D. (orgs.), No Place Else: Explorations in Utopian and Dystopian Fiction, Carbondale e Edwardsville (IL), Southern Illinois University Press, 1983. Ricoeur, Paul, Temps et récit, 3 vols, Paris, Seuil, 1983-1985. Scholes, Robert, «Les modes de la fiction», in Genette e Todorov (orgs.), Théorie des genres, Paris, Seuil, 1986, pp. 77-88. Scholes, Robert, Structural Fabulation: An Essay on Fiction of the Future, Notre Dame (IN), University of Notre Dame Press, 1975. Scholes, Robert, «Boiling Roses: Thoughts on Science Fantasy», in Slusser, George e Rabkin, Eric S. (orgs.), Intersections: Fantasy and Science Fiction, Carbondale e Edwardsville (IL), Southern Illinois University Press, 1987, pp. 3-18. Segre, Cesare, «Ficção», «Narração/narratividade», Enciclopédia Einaudi, n.º 17 («Géneros»), Lisboa, INCM, 1989. Suvin, Darko, Metamorphoses of Science Fiction: On the Poetics and History of a Literary Genre, New Haven e Londres, Yale University Press, 1979. Williams, Raymond, «Utopia and Science Fiction», in Parrinder, Patrick (org.), Science Fiction: A Critical Guide, Nova Iorque, Longman, 1979, pp. 52-66.
Títulos de ficção (Lista provisória)Benford, Gregory, Timescape, Nova Iorque, Pocket Books/Simon & Schuster, 1981 (orig. 1980). Dick, Philip K., Solar Lottery, Londres, Gollancz, 2003 (orig. 1955) [ed. port. Lotaria Solar, Mem Martins, Europa-América, 1989, tradução de Samuel Soares]. Dick, Philip K., Do Androids Dream of Electric Sheep?, in Philip K. Dick: Five Great Novels, Londres, Gollancz, 2004, pp. 347-494. (orig. 1968) [ed. port Blade Runner: Perigo Iminente, Mem Martins, Europa-América, s/d, tradução de Raquel Martins]. Dick, Philip K., Martian Time-Slip, in Philip K. Dick: Five Great Novels, Londres, Gollancz, 2004, pp. 159-345 (orig. 1964). Forster, E. M., «The Machine Stops», in Bova, Ben (org.), The Science Fiction Hall of Fame, vol. II-B, Nova Iorque, Avon Books, 1974, pp. 248-279 (orig. 1928). Grimwood, Ken, Replay, Londres, Gollancz, 2005 (orig. 1986). NOTA: A bold, os títulos mais relevantes para o presente ano lectivo. As indicações bibliográficas obrigatórias para cada aula e tema podem ser consultadas no respectivo plano de aulas.
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